The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
— Derek Walcott
Yes, I agree. We’ll pull ourselves together.
We eat too much. We’re always getting pissed.
It’s not a bad idea to find out whether
We like each other sober. Let’s resist.
I’ve got the Perrier and the carrot-grater,
I’ll look on a Scotch or a pudding as a crime.
We all have to be sensible sooner or later
But don’t let’s be sensible all the time.
No more thinking about a second bottle
And saying “What the hell?” and giving in.
Tomorrow I’ll be jogging at full throttle
To make myself successful, rich and thin.
A healthy life’s a great rejuvenator
But, God, it’s going to be an uphill climb.
We all have to be sensible sooner or later
But don’t let’s be sensible all the time.
The conversation won’t be half as trivial—
You’ll hold forth on the issues of the day—
And, when our evenings aren’t quite so convivial,
You’ll start remembering the things I say.
Oh, see if you can catch the eye of the waiter
And order me a double vodka and lime.
We all have to be sensible sooner or later
But I refuse to be sensible all the time.
— Wendy Cope
Why should I let the toad work
Squat on my life?
Can’t I use my wit as a pitchfork
And drive the brute off?
Six days of the week it soils
With its sickening poison—
Just for paying a few bills!
That’s out of proportion.
Lots of folk live on their wits:
Lecturers, lispers,
Losels, loblolly-men, louts—
They don’t end as paupers;
Lots of folk live up lanes
With fires in a bucket,
Eat windfalls and tinned sardines—
They seem to like it.
Their nippers have got bare feet,
Their unspeakable wives
Are skinny as whippets—and yet
No one actually starves.
Ah, were I courageous enough
To shout Stuff your pension!
But I know, all too well, that’s the stuff
That dreams are made on:
For something sufficiently toad-like
Squats in me, too;
Its hunkers are heavy as hard luck,
And cold as snow,
And will never allow me to blarney
My way to getting
The fame and the girl and the money
All at one sitting.
I don’t say, one bodies the other
One’s spiritual truth;
But I do say it’s hard to lose either,
When you have both.
— Philip Larkin
I’m tired of Love: I’m still more tired of Rhyme.
But Money gives me pleasure all the time.
— Hillaire Belloc
Half past twelve. The time has quickly passed
since nine o’clock when I first turned up the lamp
and sat down here. I’ve been sitting without reading,
without speaking. With whom should I speak,
so utterly alone within this house?
The apparition of my youthful body,
since nine o’clock when I first turned up the lamp,
has come and found me and reminded me
of shuttered perfumed rooms
and of pleasure spent—what wanton pleasure!
And it also brought before my eyes
streets made unrecognizable by time,
bustling city centres that are no more
and theatres and cafés that existed long ago.
The apparition of my youthful body
came and also brought me cause for pain:
deaths in the family; separations;
the feelings of my loved ones, the feelings of
those long dead which I so little valued.
Half past twelve. How the time has passed.
Half past twelve. How the years have passed.
— C. P. Cavafy
translated by Daniel Mendelsohn
The sleeping one is erect and mumbles.
The room went Arctic overnight
and his foot peeks outside the covers.
You leave his warm slumber
five minutes before the new hour,
stomach growling, and possible
moon somewhere. There’s slight moisture
still. He’ll later say he saw you leave.
The day will happen soon enough-
peanut butter sandwich, dropped knife,
tote bag of graded papers.
Flossing in a colder room,
planning Jefferson myth-debunking,
washing hair—the man’s sleep stretches
without boundaries, rolled to middle,
as if it were his bed, thick lashes,
even beard, and no concern for pillow.
He doesn’t know it’s October and you are happy.
— Farrah Field
That everything’s inevitable.
That fate is whatever has already happened.
The brain, which is as elemental, as sane, as the rest of the processing universe is.
In this world, I am the surest thing.
Scrunched-up arms, folded legs, lovely destitute eyes.
Please insert your spare coins.
I am filling them up.
Please insert your spare vision, your vigor, your vim.
But yet, I am a vatic one.
As vatic as the Vatican.
In the temper and the tantrum, in the well-kept arboretum
I am waiting, like an animal,
For poetry.
— Katy Lederer
If light pours like water
into the kitchen where I sway
with my tired children,
if the rug beneath us
is woven with tough flowers,
and the yellow bowl on the table
rests with the sweet heft
of fruit, the sun-warmed plums,
if my body curves over the babies,
and if I am singing,
then loneliness has lost its shape,
and this quiet is only quiet.
— Rachel Contreni Flynn
They don’t wade in so much as they are taken.
Deep in the day, in the deep of the field,
every current in the grasses whispers hurry
hurry, every yellow spreads its perfume
like a rumor, impelling them further on.
It is the way of girls. It is the sway
of their dresses in the summer trance-
light, their bare calves already far-gone
in green. What songs will they follow?
Whatever the wood warbles, whatever storm
or harm the border promises, whatever
calm. Let them go. Let them go traceless
through the high grass and into the willow-
blur, traceless across the lean blue glint
of the river, to the long dark bodies
of the conifers, and over the welcoming
threshold of nightfall.
— Angela Shaw
The celebrated windows flamed with light
directly pouring north across the Seine;
we rustled into place. Then violins
vaunting Vivaldi’s strident strength, then Brahms,
seemed to suck with their passionate sweetness,
bit by bit, the vigor from the red,
the blazing blue, so that the listening eye
saw suddenly the thick black lines, in shapes
of shield and cross and strut and brace, that held
the holy glowing fantasy together.
The music surged; the glow became a milk,
a whisper to the eye, a glimmer ebbed
until our beating hearts, our violins
were cased in thin but solid sheets of lead.
— John Updike