A marriage is a risky business these days
Says some old and prudent voice inside.
We don’t need twenty children anymore
To keep the family line alive,
Or gather up the hay before the rain.
No law demands respectability.
Love can arrive without certificate or cash.
History and experience both make clear
That men and women do not hear
The music of the world in the same key,
Rather rolling dissonances doomed to clash.
So what is left to justify a marriage?
Maybe only the hunch that half the world
Will ever be present in any room
With just a single pair of eyes to see it.
Whatever is invisible to one
Is to the other an enormous golden lion
Calm and sleeping in the easy chair.
After many years, if things go right
Both lion and emptiness are always there;
The one never true without the other.
But the dark secret of the ones long married,
A pleasure never mentioned to the young,
Is the sweet heat made from two bodies in a bed
Curled together on a winter night,
The smell of the other always in the quilt,
The hand set quietly on the other’s flank
That carries news from another world
Light-years away from the one inside
That you always thought you inhabited alone.
The heat in that hand could melt a stone.
– Bill Holm
Carnation Milk is the best in the land;
Here I sit with a can in my hand—
No tits to pull, no hay to pitch,
You just punch a hole in the son of a bitch.
– Anonymous
One day in summer
when everything
has already been more than enough
the wild beds start
exploding open along the berm
of the sea; day after day
you sit near them; day after day
the honey keeps on coming
in the red cups and the bees
like amber drops roll
in the petals: there is no end,
believe me! to the inventions of summer,
to the happiness your body
is willing to bear.
– Mary Oliver
There comes the strangest moment in your life,
when everything you thought before breaks free —
what you relied upon, as ground-rule and as rite
looks upside down from how it used to be.
Skin’s gone pale, your brain is shedding cells,
you question every tenet you set down;
obedient thoughts have turned to infidels
and every verb desires to be a noun.
I want—my want. I love—my love. I’ll stay
with you. I thought transitions were the best,
but I want what’s here to never go away.
I’ll make my peace, my bed, and kiss this breast . . .
Your heart’s in retrograde. You simply have no choice.
Things people told you turn out to be true.
You have to hold that body, hear that voice.
You’d have sworn no one knew you more than you.
How many people thought you’d never change?
But here you have. It’s beautiful. It’s strange.
– Kate Light
About the Shark, phlegmatical one,
Pale sot of the Maldive sea,
The sleek little pilot-fish, azure and slim,
How alert in attendance be.
From his saw-pit of mouth, from his charnel of maw
They have nothing of harm to dread,
But liquidly glide on his ghastly flank
Or before his Gorgorian head;
Or lurk in the port of serrated teeth
In white triple tiers of glittering gates,
And there find a haven where peril’s abroad,
An asylum in jaws of the Fates!
They are friends; and friendly they guide him to prey,
Yet never partake of the treat—
Eyes and brains to the dotard lethargic and dull,
Pale ravener of horrible meat.
– Herman Melville
My heart has made its mind up
And I’m afraid it’s you.
Whatever you’ve got lined up,
My heart has made its mind up
And if you can’t be signed up
This year, next year will do.
My heart has made its mind up
And I’m afraid it’s you.
– Wendy Cope
Who are without mercy,
Who confide in trumpet flowers,
Who carry loose change in their pockets,
Who dress in black velvet,
Who wince and fidget like bats,
Who balance their haloes on hatracks,
Who watch reruns of famine,
Who powder their noses with pollen,
Who laugh and unleash earthquakes,
Who sidle in and out of our dreams
Like magicians, like childhood friends,
Who practice their smiles like pirates,
Who exercise by walking to Zion,
Who live on the edge of doubt,
Who cause vertigo but ease migraines,
Who weep milky tears when troubled,
Whose night sweats engender the plague,
Who pinion their arms to chandeliers,
Who speak in riddles and slant rhymes,
Who love the weak and foolhardy,
Who lust for unripe persimmons,
Who scavenge the fields for lost souls,
Who hover near lighthouses,
Who pray at railroad crossings,
Who supervise the study of rainbows,
Who cannot blush but try,
Who curl their hair with corkscrews,
Who honeymoon with Orion,
Who are not wise but pure,
Who behave with impious propriety,
Who hourly scour our faces with hope,
Whose own faces glow like radium,
Whom we’ve created in our own form,
Who are without mercy, seek and yearn
To return us like fossilized roses
To the wholeness of our original bloom.
– Maurya Simon
